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The gallery carries one man's name because it was, quite literally, one man's project. Pavel Tretyakov, a Moscow textile merchant, began buying Russian paintings in the 1850s with a clear aim, to build a national collection at a time when serious collectors chased European art. He bought straight from living artists, filled his house until the pictures crowded the family out, and in 1892 handed the whole collection, some 2,000 works, to the city of Moscow as a gift.
The building he had expanded became a landmark in its own right. Its fairy-tale front, all red brick, white stone and a pointed gable like a folk tale come to life, was designed after 1900 by the painter Viktor Vasnetsov, so the container matches the Russian art inside.
And that art is the story of Russian painting itself. Here is Andrei Rublev's Trinity, the 15th-century icon widely held to be the greatest in Russian art, and the huge canvases of the Wanderers, the realists who broke with the academy. One of them, Ilya Repin's picture of Ivan the Terrible cradling the son he has just killed, has been attacked twice by visitors, slashed in 1913 and struck again in 2018, and each time painstakingly restored. Nearby hang Kramskoy's watchful portraits and Surikov's vast, crowded scenes from Russian history, and a whole hall of medieval icons the museum shows as art.
소장품
작품 71점
검은 사각형 (1915)카지미르 말레비치, 1915
1581년 11월 16일, 이반 뇌제와 그의 아들 이반일리야 레핀, 1883
소나무 숲의 아침이반 시시킨, 1889
모르는 여인의 초상이반 크람스코이, 1883
광야의 그리스도이반 크람스코이, 1872
그들은 그를 기다리지 않았다일리야 레핀, 1888
복숭아를 든 소녀발렌틴 세로프, 1887
쿠르스크 현의 종교 행렬일리야 레핀, 1880
전쟁의 신격화바실리 베레샤긴, 1871
민중 앞에 나타난 그리스도알렉산드르 이바노프, 1847
앉아 있는 악마미하일 브루벨, 1890
스트렐치 처형의 아침바실리 수리코프, 1881
보가티리 (용사들)빅토르 바스네초프, 1898
떼까마귀가 돌아왔다알렉세이 사브라소프, 1871
구성 VII바실리 칸딘스키, 1913
백조 공주미하일 브루벨, 1900
귀족 부인 모로조바바실리 수리코프, 1887
저녁 종소리이사크 레비탄, 1892
호밀밭이반 시시킨, 1878
블라디미르카 길이사크 레비탄, 1892
고요한 수도원이사크 레비탄, 1890
3월이사크 레비탄, 1895
돈의 성모그리스인 페오판, 1382
소년 바르폴로메이의 환영미하일 네스테로프, 1889
우크라이나의 밤아르히프 쿠인지, 1876