
이야기
The gallery carries one man's name because it was, quite literally, one man's project. Pavel Tretyakov, a Moscow textile merchant, began buying Russian paintings in the 1850s with a clear aim, to build a national collection at a time when serious collectors chased European art. He bought straight from living artists, filled his house until the pictures crowded the family out, and in 1892 handed the whole collection, some 2,000 works, to the city of Moscow as a gift.
The building he had expanded became a landmark in its own right. Its fairy-tale front, all red brick, white stone and a pointed gable like a folk tale come to life, was designed after 1900 by the painter Viktor Vasnetsov, so the container matches the Russian art inside.
And that art is the story of Russian painting itself. Here is Andrei Rublev's Trinity, the 15th-century icon widely held to be the greatest in Russian art, and the huge canvases of the Wanderers, the realists who broke with the academy. One of them, Ilya Repin's picture of Ivan the Terrible cradling the son he has just killed, has been attacked twice by visitors, slashed in 1913 and struck again in 2018, and each time painstakingly restored. Nearby hang Kramskoy's watchful portraits and Surikov's vast, crowded scenes from Russian history, and a whole hall of medieval icons the museum shows as art.
소장품
작품 71점
붉은 말의 목욕쿠즈마 페트로프보트킨, 1912
황금빛 가을이사크 레비탄, 1895
모스크바의 안뜰바실리 폴레노프, 1878
영원한 안식 위에이사크 레비탄, 1894
페테르고프에서 황태자 알렉세이 페트로비치를 심문하는 표트르 대제니콜라이 게, 1871
미녀보리스 쿠스토디예프, 1915
여기수카를 브률로프, 1832
타라카노바 공녀콘스탄틴 플라비츠키, 1864
소콜니키. 가을이사크 레비탄, 1879
봄. 큰물이사크 레비탄, 1897
흑해이반 아이바좁스키, 1881
인어들이반 크람스코이, 1871
쓰러진 악마미하일 브루벨, 1902
자작나무 숲아르히프 쿠인지, 1879
알료누시카빅토르 바스네초프, 1881
보스포루스의 달밤이반 아이바좁스키, 1894
우거진 연못바실리 폴레노프, 1879
양봉가이반 크람스코이, 1872
자작나무 숲이사크 레비탄, 1889
웅덩이 곁에서이사크 레비탄, 1892
첫눈바실리 폴레노프, 1891
경작지에서: 봄알렉세이 베네치아노프, 1820
판미하일 브루벨, 1899
무지개이반 아이바좁스키, 1873
이고리 공의 전투 후빅토르 바스네초프, 1880