Louvre Museum

Louvre Museum

Paris, France · Website


Audio guide

The story

The Louvre began as a fortress. Philip II raised it on the right bank of the Seine around 1190 to guard medieval Paris, and over the following centuries French kings rebuilt it into a royal palace, until Louis XIV moved his court to Versailles in 1682 and left the half-finished halls to the royal collection and the artists lodged inside.

The Revolution turned it into a public museum. On 10 August 1793 the Muséum central des arts opened its doors, showing the confiscated art of the crown and the church to any citizen who wished to walk in. Napoleon filled it with the spoils of his campaigns and briefly renamed it after himself. Much was returned after Waterloo, but the idea held, a national collection arranged for study and free to the public.

Today the Louvre holds more than 35,000 works, from the Venus de Milo to Géricault's Raft of the Medusa. The crowds, though, press toward one small portrait. In August 1911 it vanished: Vincenzo Peruggia, an Italian handyman who had worked in the museum, lifted Leonardo's Mona Lisa off the wall and carried it out under his coat. For two years the frame hung empty while visitors came to stare at the gap, and the painting returned only in 1913, after Peruggia tried to sell it to a dealer in Florence. I. M. Pei's glass pyramid, set in the courtyard in 1989, now marks the entrance.

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Collection

1,174 works
Portrait of a Nobleman, His Hand on a SwordPortrait of a Nobleman, His Hand on a SwordJacopo Tintoretto, 1540Portrait of a Seated WomanPortrait of a Seated WomanPierre-Auguste Renoir, 1917Portrait of Auguste François TalmaPortrait of Auguste François TalmaJean-Auguste-Dominique Ingres, 1812Portrait of Francesco I de' Medici (1541-1587)Portrait of Francesco I de' Medici (1541-1587)Peter Paul Rubens, 1623Portrait of James Stuart, Duke of LennoxPortrait of James Stuart, Duke of LennoxAnthony van Dyck, 1636Portrait of Johanna of Austria, mother of Maria de' MediciPortrait of Johanna of Austria, mother of Maria de' MediciPeter Paul Rubens, 1623Portrait of Marie-Louise Laure SennegonPortrait of Marie-Louise Laure SennegonJean-Baptiste Camille Corot, 1831Portrait of Monsieur DenneryPortrait of Monsieur DenneryHenri de Toulouse-Lautrec, 1883Portrait of Old Man Holding a HandkerchiefPortrait of Old Man Holding a HandkerchiefJacopo Tintoretto, 1570Poussin's Promenade, Roman CampagnaPoussin's Promenade, Roman CampagnaJean-Baptiste Camille Corot, 1825Resurrection of JesusResurrection of JesusHans Memling, 1490Rinaldo and Armida as lovers observed by Ubaldo and CarloRinaldo and Armida as lovers observed by Ubaldo and CarloAnthony van Dyck, 1629RomeRomeJean-Baptiste Camille Corot, 1841Rosny. View of the village in the springRosny. View of the village in the springJean-Baptiste Camille Corot, 1839Rosny (Yvelines). Chateau of the Duchess of BerryRosny (Yvelines). Chateau of the Duchess of BerryJean-Baptiste Camille Corot, 1840Sainte Rosalie, viergeSainte Rosalie, viergeJean-Auguste-Dominique Ingres, 1842Saint John the BaptistSaint John the BaptistHans Memling, 1470Saint Mary MagdaleneSaint Mary MagdaleneHans Memling, 1470Saint Pierre délivré de prisonSaint Pierre délivré de prisonPieter Neefs the Elder, 1625Saint Sebastian Tended by AngelsSaint Sebastian Tended by AngelsAnthony van Dyck, 1630Souvenir du golfe de GênesSouvenir du golfe de GênesJean-Baptiste Camille Corot, 1841Souvenir of the Naples CountrysideSouvenir of the Naples CountrysideJean-Baptiste Camille Corot, 1841St. Mark Crowning the VirtuesSt. Mark Crowning the VirtuesPaolo Veronese, 1556Study for the Raft of the MedusaStudy for the Raft of the MedusaThéodore Géricault, 1818Study of the Head of an Old ManStudy of the Head of an Old ManAnthony van Dyck, 1616