
The story
Vincent van Gogh sold almost nothing in his lifetime, so when he died in 1890 the paintings passed to his younger brother Theo, an art dealer who had supported him for years. Theo died six months later, and the whole hoard of hundreds of canvases and letters went to his widow, Jo van Gogh-Bonger, who set about getting her late brother-in-law taken seriously. The collection stayed in the family until 1962, when Vincent's nephew handed it to a national foundation, and this museum was built to hold it.
That is why the Van Gogh Museum can do something no other can: show one restless painter's whole arc, roughly 200 paintings, in the order he made them. You climb from the dark Dutch years and the muddy browns of 'The Potato Eaters', painted in 1885, up into the sunlight of the south of France.
There the walls turn yellow. 'Sunflowers', the 'Bedroom' at Arles with its tilting floor and two green chairs, and the blue-and-white 'Almond Blossom', painted for his newborn nephew as a gift. The building around them is deliberately plain, a spare grey block designed by Gerrit Rietveld of the De Stijl group and opened in 1973, with a curved glass wing added later. Rietveld died in 1964, nine years before the doors opened.
Collection
111 works
WheatfieldVincent van Gogh, 1888
Wheatfield with a ReaperVincent van Gogh, 1889
Woman SewingVincent van Gogh, 1885
Woman Winding YarnVincent van Gogh, 1885
Path in MontmartreVincent van Gogh, 1886
Route de Versailles, RocquencourtCamille Pissarro, 1871
SunflowersVincent van Gogh, 1889
Vase with Gladioli and China AstersVincent van Gogh, 1886
View from Vincent's StudioVincent van Gogh, 1886
View of Paris from Vincent's Room in the Rue LepicVincent van Gogh, 1887
Woman Lifting PotatoesVincent van Gogh, 1885