
Bronzino
1503–1572 · Repubblica di Firenze · Manierismo
La storia
Bronzino got his chance with the Medici at their wedding in 1539, when he painted decorations for the marriage of Duke Cosimo I to Eleonora di Toledo, a Spanish noblewoman not yet twenty. Cosimo liked the work enough to hire him outright, and Bronzino stayed the family's court painter for the next twenty-five years.
His portrait of Eleonora with her young son Giovanni, painted around 1545, shows her in a dress patterned with pomegranates against a background of lapis lazuli blue, the same expensive pigment usually reserved for the Virgin Mary's robe. Every fold of fabric is rendered so precisely it looks almost cold, a deliberate style: Bronzino's Medici portraits present rulers as composed and controlled, never caught off guard.
He also decorated Eleonora's private chapel in the Palazzo Vecchio, his first major commission for the family, and kept painting Medici portraits until his own death in 1572, ten years after Eleonora herself had died.
Opere
16 opere
Venere, Cupido, la Follia e il TempoBronzino, 1545
Ritratto di Eleonora di Toledo con il figlio Giovanni de' MediciBronzino, 1544
Ritratto di Andrea Doria come NettunoBronzino, 1545
Ritratto di Lucrezia PanciatichiBronzino, 1545
Ritratto di Cosimo I de' MediciBronzino, 1544
Deposizione di CristoBronzino, 1543
Ritratto di Bartolomeo PanciatichiBronzino, 1540
Sacra Famiglia PanciatichiBronzino, 1539
Ritratto di giovane con libroBronzino, 1540
Ritratto di Bia de' MediciBronzino, 1543
Ritratto di Giovanni de' Medici bambinoBronzino, 1545
Ritratto di Ugolino MartelliBronzino, 1536
Allegoria della FortunaBronzino, 1567
Ritratto di Stefano ColonnaBronzino, 1546
Ritratto del nano MorganteBronzino, 1553
San SebastianoBronzino, 1533