Louvre Museum

Louvre Museum

Paris, France · Website


Audio guide

The story

The Louvre began as a fortress. Philip II raised it on the right bank of the Seine around 1190 to guard medieval Paris, and over the following centuries French kings rebuilt it into a royal palace, until Louis XIV moved his court to Versailles in 1682 and left the half-finished halls to the royal collection and the artists lodged inside.

The Revolution turned it into a public museum. On 10 August 1793 the Muséum central des arts opened its doors, showing the confiscated art of the crown and the church to any citizen who wished to walk in. Napoleon filled it with the spoils of his campaigns and briefly renamed it after himself. Much was returned after Waterloo, but the idea held, a national collection arranged for study and free to the public.

Today the Louvre holds more than 35,000 works, from the Venus de Milo to Géricault's Raft of the Medusa. The crowds, though, press toward one small portrait. In August 1911 it vanished: Vincenzo Peruggia, an Italian handyman who had worked in the museum, lifted Leonardo's Mona Lisa off the wall and carried it out under his coat. For two years the frame hung empty while visitors came to stare at the gap, and the painting returned only in 1913, after Peruggia tried to sell it to a dealer in Florence. I. M. Pei's glass pyramid, set in the courtyard in 1989, now marks the entrance.

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Collection

1,174 works
Landscape with Paris and Oenone ('The Ford')Landscape with Paris and Oenone ('The Ford')Claude Lorrain, 1648Landscape with the Flight into EgyptLandscape with the Flight into EgyptDomenichino, 1621Landscape with the Pilgrims to Emmaus and the Allegory of the Two FlocksLandscape with the Pilgrims to Emmaus and the Allegory of the Two FlocksPaul Bril, 1617Large Round PietàLarge Round PietàAttributed to Jean Malouel, 1400Laughing DemocritusLaughing DemocritusAntoine Coypel, 1692Leaving the BathLeaving the BathEdgar Degas, 1895Lot and His DaughtersLot and His DaughtersAnonymous, 1520Lot and His DaughtersLot and His DaughtersGuercino, 1651Louis XIII between Two Female Figures Symbolising France and NavarreLouis XIII between Two Female Figures Symbolising France and NavarreSimon Vouet, 1637Louis XIII Crowned by VictoryLouis XIII Crowned by VictoryPhilippe de Champaigne, 1634Louis XIII Forcing the Pass of SusaLouis XIII Forcing the Pass of SusaClaude Lorrain, 1632Loutrophoros of the Analatos PainterLoutrophoros of the Analatos PainterAnalatos Painter, -690Love and Charity (formerly called Terrestrial Venus with Eros and Celestial Venus with Anteros)Love and Charity (formerly called Terrestrial Venus with Eros and Celestial Venus with Anteros)Il Sodoma, 1508Lover Crowning His MistressLover Crowning His MistressJoseph-Marie Vien, 1773Madame Hippolyte Flandrin, née Aimée AncelotMadame Hippolyte Flandrin, née Aimée AncelotHippolyte Flandrin, 1846Madame Pasteur, née Madeleine Alexandre (1773-1841)Madame Pasteur, née Madeleine Alexandre (1773-1841)Antoine-Jean Gros, 1797Madonna and ChildMadonna and ChildAlesso Baldovinetti, 1464Madonna and ChildMadonna and ChildQuinten Metsys, 1529Madonna and ChildMadonna and ChildWorkshop of Giovanni Battista Cima da Conegliano, 1513Madonna and Child with a Dominican Offering His HeartMadonna and Child with a Dominican Offering His HeartJoos van Cleve, 1516Madonna and Child with Eight AngelsMadonna and Child with Eight AngelsMarco Zoppo, 1455Madonna and Child with Four SaintsMadonna and Child with Four SaintsGuercino, 1651Madonna and Child with Saint John the BaptistMadonna and Child with Saint John the BaptistEustache Le Sueur, 1640Madonna and Child with Saint SebastianMadonna and Child with Saint SebastianGiovanni Cariani, 1520Madonna and Child with St. John the Baptist and St. AnthonyMadonna and Child with St. John the Baptist and St. AnthonyNeroccio di Bartolomeo de' Landi, 1488