
ティツィアーノ
1488–1576 · ヴェネツィア共和国 · ヴェネツィア派
ストーリー
Titian ran the busiest and most powerful painting workshop in 16th-century Venice, and he ran it for a very long time. Born around 1488 in the mountains north of the city, he took over as Venice's leading painter after Giovanni Bellini died, and confirmed it in 1518 with a towering altarpiece of the Virgin rising to heaven for the Frari church, its figures larger and more alive than anything the city had seen.
His reach went far beyond Venice. In 1530 he met the Holy Roman Emperor Charles V, the most powerful man in Europe, and became his favoured portraitist. The story goes that the emperor once bent to pick up a brush Titian had dropped, an unheard-of gesture toward a mere painter. Charles made him a count, and his son Philip II of Spain kept Titian on for decades, commissioning a series of large mythological canvases of Greek gods and mortals that the painter shipped off to Madrid.
Titian worked into extreme old age, and his late paintings loosen almost to a blur, the paint dragged and smeared with fingers as much as brushes, so that up close they dissolve. He was still at it when the plague swept through Venice in 1576. It killed him that August, along with his son Orazio, and he was buried in the same Frari church that held his first great triumph. He was somewhere near 88.
作品
215点の作品
兵士に訓示するアルフォンソ・ダヴァロスティツィアーノ, 1540
キリストの洗礼ティツィアーノ, 1511
十字架を担うキリストティツィアーノ, 1506
磔刑ティツィアーノ, 1558
ダナエティツィアーノ, 1545
エジプトへの逃避ティツィアーノ, 1508
聖母子と聖ルカ、アレクサンドリアの聖カタリナティツィアーノ, 1560
ニンフと羊飼いティツィアーノ, 1570
枢機卿クリストフォロ・マドルッツォの肖像ティツィアーノ, 1552
フランチェスコ・マリア・デッラ・ローヴェレの肖像ティツィアーノ, 1537
ヴィンチェンツォ・モスティの肖像ティツィアーノ, 1520
玉座の聖マルコティツィアーノ, 1510
笛を持つ羊飼いティツィアーノ, 1510
合奏ティツィアーノ, 1510
キューピッドに目隠しをするヴィーナスティツィアーノ, 1565
黒いドレスの若い女性ティツィアーノ, 1520
大天使ラファエルとトビアスティツィアーノ, 1513
バルビの聖会話ティツィアーノ, 1513
ダナエティツィアーノ, 1554
鷹を持つジョルジョ・コルナーロティツィアーノ, 1537
マルタの騎士ティツィアーノ, 1510
聖母子と四聖人ティツィアーノ, 1518
聖母子と聖ドロテアと聖ゲオルギウスティツィアーノ, 1515
さくらんぼの聖母ティツィアーノ, 1517
薔薇の聖母ティツィアーノ, 1530