
ティツィアーノ
1488–1576 · ヴェネツィア共和国 · ヴェネツィア派
ストーリー
Titian ran the busiest and most powerful painting workshop in 16th-century Venice, and he ran it for a very long time. Born around 1488 in the mountains north of the city, he took over as Venice's leading painter after Giovanni Bellini died, and confirmed it in 1518 with a towering altarpiece of the Virgin rising to heaven for the Frari church, its figures larger and more alive than anything the city had seen.
His reach went far beyond Venice. In 1530 he met the Holy Roman Emperor Charles V, the most powerful man in Europe, and became his favoured portraitist. The story goes that the emperor once bent to pick up a brush Titian had dropped, an unheard-of gesture toward a mere painter. Charles made him a count, and his son Philip II of Spain kept Titian on for decades, commissioning a series of large mythological canvases of Greek gods and mortals that the painter shipped off to Madrid.
Titian worked into extreme old age, and his late paintings loosen almost to a blur, the paint dragged and smeared with fingers as much as brushes, so that up close they dissolve. He was still at it when the plague swept through Venice in 1576. It killed him that August, along with his son Orazio, and he was buried in the same Frari church that held his first great triumph. He was somewhere near 88.
作品
215点の作品
将軍の肖像——軍装の男ティツィアーノ, 1550
病める男の肖像ティツィアーノ, 1514
若いイギリス人の肖像ティツィアーノ, 1540
アントニオ・ポルチア・エ・ブルニェーラ伯爵の肖像ティツィアーノ, 1537
フェデリーコ2世・ゴンザーガの肖像ティツィアーノ, 1529
イッポリト・デ・メディチの肖像ティツィアーノ, 1532
フェリペ2世の肖像ティツィアーノ, 1552
ラヌッチョ・ファルネーゼの肖像ティツィアーノ, 1541
イサクの犠牲ティツィアーノ, 1542
聖マルガリタと竜ティツィアーノ, 1565
シャッラの聖母ティツィアーノ, 1540
キリストの埋葬ティツィアーノ, 1524
医師ジャン・ジャコモ・バルトロッティ・ダ・パルマティツィアーノ, 1516
ティテュオスティツィアーノ, 1565
結婚の寓意ティツィアーノ, 1532
カインとアベルティツィアーノ, 1542
ザクセン選帝侯ヨハン・フリードリヒティツィアーノ, 1550
マルキオストロの受胎告知ティツィアーノ, 1520
マルス、ヴィーナスとアモルティツィアーノ, 1550
手を組んだ悲しみの聖母ティツィアーノ, 1554
悔悛するマグダラのマリアティツィアーノ, 1550
エマオの巡礼者ティツィアーノ, 1533
赤い帽子の男の肖像ティツィアーノ, 1520
大使ガブリエル・ド・リュエツ・ダラモンの肖像ティツィアーノ, 1541
アレッサンドロ・ファルネーゼ枢機卿の肖像ティツィアーノ, 1545