
ストーリー
The gallery carries one man's name because it was, quite literally, one man's project. Pavel Tretyakov, a Moscow textile merchant, began buying Russian paintings in the 1850s with a clear aim, to build a national collection at a time when serious collectors chased European art. He bought straight from living artists, filled his house until the pictures crowded the family out, and in 1892 handed the whole collection, some 2,000 works, to the city of Moscow as a gift.
The building he had expanded became a landmark in its own right. Its fairy-tale front, all red brick, white stone and a pointed gable like a folk tale come to life, was designed after 1900 by the painter Viktor Vasnetsov, so the container matches the Russian art inside.
And that art is the story of Russian painting itself. Here is Andrei Rublev's Trinity, the 15th-century icon widely held to be the greatest in Russian art, and the huge canvases of the Wanderers, the realists who broke with the academy. One of them, Ilya Repin's picture of Ivan the Terrible cradling the son he has just killed, has been attacked twice by visitors, slashed in 1913 and struck again in 2018, and each time painstakingly restored. Nearby hang Kramskoy's watchful portraits and Surikov's vast, crowded scenes from Russian history, and a whole hall of medieval icons the museum shows as art.
コレクション
71点の作品
赤い馬の水浴びクズマ・ペトロフ=ヴォトキン, 1912
黄金の秋イサーク・レヴィタン, 1895
モスクワの中庭ワシーリー・ポレーノフ, 1878
永遠の安らぎの上にイサーク・レヴィタン, 1894
ペテルゴフで皇太子アレクセイ・ペトロヴィチを尋問するピョートル大帝ニコライ・ゲー, 1871
美女ボリス・クストーディエフ, 1915
女騎手カール・ブリューロフ, 1832
タラカーノヴァ公女コンスタンチン・フラヴィツキー, 1864
ソコーリニキ、秋イサーク・レヴィタン, 1879
春・増水イサーク・レヴィタン, 1897
黒海イワン・アイヴァゾフスキー, 1881
人魚たちイワン・クラムスコイ, 1871
倒れた悪魔ミハイル・ヴルーベリ, 1902
白樺の森アルヒープ・クインジ, 1879
アリョーヌシカヴィクトル・ヴァスネツォフ, 1881
ボスポラス海峡の月夜イワン・アイヴァゾフスキー, 1894
草に覆われた池ワシーリー・ポレーノフ, 1879
養蜂家イワン・クラムスコイ, 1872
白樺の林イサーク・レヴィタン, 1889
淵のほとりイサーク・レヴィタン, 1892
初雪ワシーリー・ポレーノフ, 1891
耕地にて・春アレクセイ・ヴェネツィアノフ, 1820
パーンミハイル・ヴルーベリ, 1899
虹イワン・アイヴァゾフスキー, 1873
イーゴリ公の合戦の後ヴィクトル・ヴァスネツォフ, 1880