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The Louvre began as a fortress. Philip II raised it on the right bank of the Seine around 1190 to guard medieval Paris, and over the following centuries French kings rebuilt it into a royal palace, until Louis XIV moved his court to Versailles in 1682 and left the half-finished halls to the royal collection and the artists lodged inside.
The Revolution turned it into a public museum. On 10 August 1793 the Muséum central des arts opened its doors, showing the confiscated art of the crown and the church to any citizen who wished to walk in. Napoleon filled it with the spoils of his campaigns and briefly renamed it after himself. Much was returned after Waterloo, but the idea held, a national collection arranged for study and free to the public.
Today the Louvre holds more than 35,000 works, from the Venus de Milo to Géricault's Raft of the Medusa. The crowds, though, press toward one small portrait. In August 1911 it vanished: Vincenzo Peruggia, an Italian handyman who had worked in the museum, lifted Leonardo's Mona Lisa off the wall and carried it out under his coat. For two years the frame hung empty while visitors came to stare at the gap, and the painting returned only in 1913, after Peruggia tried to sell it to a dealer in Florence. I. M. Pei's glass pyramid, set in the courtyard in 1989, now marks the entrance.
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작품 310점
발다사레 카스틸리오네의 초상라파엘로, 1515
알제의 여인들외젠 들라크루아, 1834
노인과 손자도메니코 기를란다요, 1490
목욕하는 밧세바렘브란트, 1654
목욕을 마친 디아나프랑수아 부셰, 1742
엉겅퀴를 든 자화상알브레히트 뒤러, 1493
거지들피터르 브뤼헐 (부자), 1568
거울을 든 여인티치아노, 1515
자파의 페스트 환자를 방문한 보나파르트앙투안장 그로, 1804
집시 소녀프란스 할스, 1628
묘지의 고아 소녀외젠 들라크루아, 1824
레카미에 부인의 초상자크루이 다비드, 1800
성 게오르기우스와 용라파엘로, 1500
오이디푸스와 스핑크스장오귀스트도미니크 앵그르, 1808
전원의 합주티치아노, 1510
베르탱 씨의 초상장오귀스트도미니크 앵그르, 1832
반항하는 노예미켈란젤로, 1514
친구와 함께한 자화상라파엘로, 1519
릭토르들이 브루투스에게 아들들의 시신을 가져오다자크루이 다비드, 1789
헥토르를 애도하는 안드로마케자크루이 다비드, 1783
도살된 소렘브란트, 1655
브라크 삼면화로히어르 판 데르 베이던, 1452
목수 성 요셉조르주 드 라 투르, 1642
테르모필레의 레오니다스자크루이 다비드, 1814
카롤린 리비에르 양장오귀스트도미니크 앵그르, 1806